1. The Body and Mind of an Image

In a way, you may say a Photograph has all the features similar to a living creature. After birth, it grows, takes different shapes, evolve and eventually fades into oblivion. From this perspective, the image has a structure and a communication to convey. If you can build authority over these two distinct aspects, you are into photography.

2. Basics of Visual Communication

Communication is the final goal of a photograph. However, it may or may not be any predefined communication. Often it’s just a question without an answer, a search. Like any other language, the communication through photographs has it’s own grammar and colloquiality – formal or informal ways. [Coming Soon…]

3. The SEVEN ELEMENTS

These are the core elements of visual structure. And of course the pillars for the communication to be built on. It’s a classic structural analysis but was not completely perceived in the classic age. It’s only the post-modern era when these elements got prominent. [Coming Soon…]

4. Denotation and Connotation

The communication in a photograph is completely dependent on its visual. However, in contemporary forms we are continuously trying to break this boundary. In classic representation the structural or bare visual meaning of the image is called ‘Denotation’ and the implied meanings or the meanings generated from the visual is known as ‘Connotation’.  [Coming Soon…]